![]() Después de trece años de colaboración, el proyecto encontró un nuevo hogar y un nuevo apoyo en el Departamento de Antropología del Museo del Norte de Arizona. ![]() La base de datos RAS se lanzó por primera vez en línea como un proyecto conjunto de la Bay Area Rock Art Research Association y la Biblioteca Bancroft de la Universidad de California. Más de 41.200 citas se encuentran actualmente en este repositorio. La recopilación de información ha sido realizada por Leigh Marymor el año 2019, que marca el 26° año de revisión y expansión continua de la bibliografía. Un número cada vez mayor de citas dentro de la base de datos incluye enlaces web a versiones en línea de la referencia, y muchas citas incluyen resúmenes completos de los autores. Los resultados de una búsqueda se pueden ordenar por cualquiera de los campos de datos, ya sea el nombre de los autores, la fecha, el título, etc. Orientada a los intereses más amplios de los investigadores de arte rupestre, estudiantes, administradores de recursos culturales y público en general, la base de datos RAS hace que la literatura sobre arte rupestre sea accesible a través de una interfaz de búsqueda simple que facilita las consultas en múltiples campos de datos, incluidos los nombres de los autores, el título y la publicación, el nombre de lugar y las palabras clave del asunto, el número ISBN / ISSN y el resumen. La Base de Datos Bibliográfica de Estudios en Arte Rupestre, compilada por Leight Marymor, es un recurso en línea de acceso abierto que satisface la necesidad de un portal de búsqueda en la literatura sobre quilcas o arte rupestre del mundo. Researchers who consult the online database in concert with their reference to the Peruvian Rock Art Bibliography will discover a powerful ally in further refining geographic and thematic inquiries. The online version of the RAS Bibliographic Database at the Museum of Northern Arizona is updated frequently and we refer the reader to that resource for up-to-date bibliographic data revisions and additions. The Peruvian Rock Art Bibliography results from an export of data from the RAS database and captures a freeze-frame in the state of the rock art literature for Peruvian rock art as compiled here at the end of the year 2019. After thirteen years of collaboration, the project found a new home and collaborator at the Anthropology Department at the Museum of Northern Arizona. The RAS database first launched online as a joint project of the Bay Area Rock Art Research Association and University of California’s Bancroft Library. More than 41,200 citations are currently contained in the database. The data compilation has been undertaken by Leigh Marymor with the year 2019 marking the 26th year of continuous revision and expansion of the data. EL REY VIKINGO DEL PARAGUAY PDF FULLAn ever increasing number of citations within the database include web links to online versions of the reference cited, and many citations include full author’s abstracts. The results of a data search can further be sorted by any of the data fields, including: authors’ names, date, title, and so forth. Geared to the broadest interests of rock art researchers, students, cultural resource managers, and the general public, the RAS database makes rock art literature accessible through a simple search interface that facilitates inquiries into multiple data fields, including authors’ names, title and publication, place-name and subject keywords, ISBN/ISSN number, and abstract. ![]() The Rock Art Studies Bibliographic Database is an open access, online resource that fulfills the need for a searchable portal into the world’s rock art literature. The diversity of early prehistoric rock art in Bolivia points to different independent developments shared with other South American regions.Ībstract. ![]() Projects in five regions have come up with entirely different results of early rock art traditions: ancient cupules in Mizque (department of Cochabamba), abstract incisions near Lake Titicaca (department of La Paz), negative handprints (stencils) in caves of Mojocoya (department of Chuquisaca) and Paja Colorada (Vallegrande, department of Santa Cruz), as well as representation of wild camelids and hunters in rock paintings of Betanzos (department of Potosí). Defining the earliest rock art in Bolivia is hampered by limited archaeological research, particularly concerning the Archaic period, and lack of excavations in rock art sites. Only quite recently has some progress been made in preliminary sequences of Pre-Hispanic rock art traditions. ![]() In the first decade of activities by the Bolivian rock art research society, 1987-1997, focus of research was on recording numerous sites and analysis of Colonial rock art. ![]()
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